This November
has been as mismatched
as my funeral suit.
The chill air
came to claim me
and the free wine
tried to fight it off.
And I have not slept
in days when someone hands me
a box of belongings:
artifacts of a lost
civilization
that I had only seen
the ruins of in you.
And your foul breath preserved
in blues harp after blues harp,
these harmonicas wheezing
your way back into the world
these exhalations you’d saved without knowing it.
And now your sons
wonder about you.
I wonder about that man
who’d gone so wrong.
What hard things
had calloused your demeanor
while your hands remained
so tender,
so surprisingly steady,
with a good pencil clenched
between these same fingers I’ve inherited.
You remained to the last
a conjurer of images, images
almost shockingly whimsical
in your private ossuary
your personal frownland, which I cannot go back to.
Your cabinet of curiosities
whose doors have now been closed,
whose guts now sit in a storage unit,
placed there by hands more sure than mine.
Now all I can do
is plunk out shaking
some song on the piano
that I’m pretty sure you hated
and otherwise occupy myself
with my destructive love, destructive
in a different way than yours was.
Here I am in my current apartment,
my walls so sparse, babysitting a furnace
that doesn’t like to stay lit
with no sackcloth or ashes.
The ashes I’ve refused.
They are not you.
— Timothy Volpert
In addition to being a poet, Timothy Volpert is also a musician, and co-manages Blue Planet Cafe in Topeka. His poems have been published by the wonderful folks at seveneightfive magazine, Coal City Review, Inscape, Blue Island Review and more. He loves you, and wants the best for you.
The Kansas poets are a really talented bunch. I have been looking at different poems and different poets for a couple of weeks now, and I am impressed by the depth of idea, feeling, and craft that I find.