Poetry of Love, Resistance, & Solidarity

Ryberg photo9:17 in the morning,

naked, drunk and bleeding

like Martin Sheen in that scene

from “Apocalypse Now”

(“Saigon… shit, still in Saigon”),

one eye still pasted shut from sleep,

front and back doors wide open,

every light in the house on,

half-eaten pizza from somewhere

I’ve never even heard of,

three-quarter drained handle of rum,

cocaine contrails, twenty-dollar bill

and someone’s Costco card

in full view on the kitchen counter

next to a Valentine’s card from my mother,

David Allen Coe’s “Long Haired Red Neck”

skipping, loud, on the turn-table

for who knows

how long.

~ Jason Ryberg

Guest editor: Kevin Rabas co-directs the creative writing program at Emporia State and co-edits Flint Hills Review. He has four books: Bird’s Horn, Lisa’s Flying Electric Piano, a Kansas Notable Book and Nelson Poetry Book Award winner, Sonny Kenner’s Red Guitar, also a Nelson Poetry Book Award winner, and Spider Face: stories. He writes, “For my month, I searched for poems that meditate on “time” in its many musical nuances, such as in times a tune jogged your memory, times the music seemed to transport you in time, times you patted your foot or danced to the music’s groove (time), times the music jump-started your heart (internal time), OR meditations on musical elements (such as 4/4 time vs. 6/8 time OR swung vs. straight, rock 2+4 time).”

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Comments on: "Record Skipping in a Lonely Room (or, as my mama says, she loves me but she could be jivin’ too) by Jason Ryberg" (1)

  1. Except for a few details, and who’s counting, this takes me back to the bad ol’ days. Love this poem.

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