Poetry of Love, Resistance, & Solidarity

bio photo 2The boomers return to the roadhouse

to dance to the Beatles. They gyrate through

“Twist and Shout” and “Day Tripper.”

Few manage the floor for more than two

or three songs. They return to their canned beer,

flushed, sucking air like tread-millers

after a cardiac exam. There are moments

in the blue neon when they glimpse each other again,

sweating to an electric guitar, the thump

of the Ludwig, the band superimposed

against a newsreel of missiles—rising

like poems from submarines.

These were the children, hidden below

school desks, arms folded above their heads

in a looping number 9. They dance

hard tonight to the old songs, the highway

through the bean fields winding homeward

between “Let It Be” and “Imagine.”

~ Al Ortolani

Al Ortolani’s poetry and reviews have appeared in journals such as Prairie Schooner, New Letters, Word Riot, and the New York Quarterly. He has four books of poetry, The Last Hippie of Camp 50 and Finding the Edge, published by Woodley Press at Washburn University, Wren’s House, published by Coal City Press in Lawrence, Kansas, and Cooking Chili on the Day of the Dead from Aldrich Press in Torrance, California. His fifth book, Waving Mustard in Surrender, will be released by New York Quarterly Books later in 2014. He is on the Board of Directors of the Kansas City Writers Place and is an editor with The Little Balkans Review.

Guest editor: Kevin Rabas co-directs the creative writing program at Emporia State and co-edits Flint Hills Review. He has four books: Bird’s Horn, Lisa’s Flying Electric Piano, a Kansas Notable Book and Nelson Poetry Book Award winner, Sonny Kenner’s Red Guitar, also a Nelson Poetry Book Award winner, and Spider Face: stories. He writes, “For my month, I searched for poems that meditate on “time” in its many musical nuances, such as in times a tune jogged your memory, times the music seemed to transport you in time, times you patted your foot or danced to the music’s groove (time), times the music jump-started your heart (internal time), OR meditations on musical elements (such as 4/4 time vs. 6/8 time OR swung vs. straight, rock 2+4 time).”


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