So many white, so many
men, tape their mouths in protest
at the DNC. They black out signs.
Their eyes shine. They boo the black
congressman, the Hispanic
congresswoman. They chant.
They walk out. They will stay home
in November, chop fallen trees
into firewood, grill steaks while milking
beers for the last time this year.
They will stare at the black sky
while their neighbors’ TVs blare
too quietly to tell who won.
During roll-call, I cry. I cry but do not
post my joyful tears on Facebook,
where so many white, so many
men post cheater, criminal, cunt.
I do not think of these men. I think of
the women crying with me—
in Alabama, Wyoming, Maine,
in living rooms and Laundromats and bars,
college dorm rooms and cars, women
wishing their dead grandmothers
alive, women reliving sixth grade
career fairs, women with
daughters asleep in their beds.
Melissa Fite Johnson received her Master’s in English literature from Pittsburgh State University in Kansas. Her first collection, While the Kettle’s On (Little Balkans Press, 2015) won the Nelson Poetry Book Award and is a Kansas Notable Book. Her poems have appeared in Valparaiso Poetry Review, Broadsided Press, The New Verse News, velvet-tail, and elsewhere. Melissa teaches English and lives with her husband in Kansas. For more, visit melissafitejohnson.com.
Guest Editor Tyler Robert Sheldon is a Pushcart Prize nominee and the author of First Breaths of Arrival (Oil Hill Press, 2016), and Traumas (Yellow Flag Press, 2017). His poetry, fiction, and reviews have appeared or are forthcoming in such venues as Quiddity International Literary Journal, The Midwest Quarterly, Coal City Review, The Prairie Journal of Canadian Literature, The Dos Passos Review, Entropy Magazine, and others. He earned his MA in English at Emporia State University, and is now an MFA candidate at McNeese State University. View his work at tyrsheldon.wixsite.com/trspoetry.