He hears her murmurs as he moves
down the hall after dinner each night.
They call to him like church bells or
a distant muezzin’s chant. She hums
tuneless mantras that seem in rhythm
with his wheels. He steadies his walker
with one hand and opens her door
with the other. Hugs, smiles, kisses.
No words. They have all disappeared
into another realm. But the kisses
linger, their lips still a faithful trail
to communion, body and soul.
Maril Crabtree lives in the Midwest and writes poetry, creative nonfiction, reviews, and occasional short fiction. Her work has appeared in Canyon Voices, Main Street Rag, Coal City Review, and others. She is a former poetry editor for Kansas City Voices.
Guest Editor Z. Hall is a poet whose work often features ekphrasis, and explores race, gender, and culture. She is an essayist and has served as a PEN Prison Writing Mentor. She was a 2016-17 writer-in-residence at the Charlotte Street Foundation. In 2017, Hall curated the first international visual art exhibition featuring beneficial bacterial as the subject matter and medium of artists of disparate disciplines and scientists whose work crosses boundaries into artistic expression.
As an art writer and scholar, Hall’s peer-reviewed publications include works on Beyoncé and Jay Z’s ‘Drunk in Love,’ the field recordings of Stephen Wade’s “The Beautiful Music All Around Us,” emergence of the Christian film industry in Lindvall and Quicke’s “Celluloid Sermons,” and the political cartoons of the 2005 Muhammad Cartoon Controversy as rhetorical art, among other works. Hall is the Executive Director and Producer of Salon~360, a monthly, Kansas City regional event that brings together artists whose work focuses on challenging societal issues, for which she was awarded an ArtsKC Inspiration Grant.