Poetry of Love, Resistance, & Solidarity

After dinner we have cherry pie.

We are four people from three continents.

 

The pie, thick with red, butter

crust: we are sure some old woman made it.

 

My friends say French and German

with some ease. The cherries burst under fork.

 

We drink tall glasses of iced tea

made with cool water from the kitchen tap.

 

We have come to live on the plains.

The town festival with a European name offers pie today.

 

George Washington, cherry pie, pure

dumb luck to be born in this country, and deliberate movement.

 

What must you be born to

to go out on the land against the oil machine?

 

You must love the water like life

to tie yourself to the digging machine that doesn’t stop

 

even with thin court orders. You must

know the earth is not yours to give while others

 

train dogs to tear at strangers, loose dogs trained

to tear human skin.

 

The blood on the dogs’ mouths is human blood.

 

All over America while folks sit down to dinner,

the blood on the dogs’ mouths is the human blood of water protectors.

 

Breathe through your nose not your mouth.

[Cry liiiiiiii if you still have the bloody red heart to cry it.]

#nodapl

~ Laura Lee Washburn

Laura Lee Washburn is the Director of Creative Writing at Pittsburg State University in Kansas, and the author of This Good Warm Place: 10th Anniversary Expanded Edition (March Street) and Watching the Contortionists (Palanquin Chapbook Prize).  Her poetry has appeared in such journals as TheNewVerse.News, Cavalier Literary Couture, Carolina Quarterly, Ninth Letter, The Sun, Red Rock Review, and Valparaiso Review.  Born in Virginia Beach, Virginia, she has also lived and worked in Arizona and in Missouri.  She is married to the writer Roland Sodowsky and is one of the founders and the Co-President of the Board of SEK Women Helping Women. (This poem originally published at The New Verse News https://newversenews.blogspot.com/2016/09/blood-on-dogs-mouth.html.)

Guest Editor Lori Baker Martin is assistant professor of English at Pittsburg State University. She’s had both poetry and fiction published in magazines like Prick of the Spindle, Room Magazine, Grass Limb, The Knicknackery, The Maine Review, and others. Martin has taught creative writing at the University of Iowa, Independence Community College, and Pittsburg State University. She has worked as a reader for both The Iowa Review and NPR. Martin is poetry editor for The Midwest Quarterly and is currently finishing a novel set in pre-Civil War Missouri.

 

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